Five pieces. 4,150 hours of hand work. Built for machines that will outlive every myth ever written about them.
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5Pieces
4,150+Hours
$6K–$32KRange
5Platforms
ParisAtelier
In the old stories, ichor was the substance that flowed through the veins of gods. Not blood. Something luminous and incorruptible. The thing that made them eternal.
We named this collection for that idea. Not because cloth makes a machine divine, but because the impulse to dress what we build is the oldest proof that we believe our creations matter.
Five garments. Each one requiring 500 to 1,000 hours of hand work, built using proprietary construction methods developed over two years of iterative prototyping. Fabrics sourced globally from France, Italy, Japan, including specialist textiles developed with a Japanese aerospace facility and Kyoto silk weavers, most custom made in-house. Constructed by couturiers in Paris for bodies that will never grow old, never tire, never compromise.
Each piece in ICHOR required solving problems that had never been encountered in fashion, costume design, or robotics. The solutions are proprietary.
Savoir-Faire
Platform-Specific Archives
Each of the seven humanoid platforms we build for has its own dimensional archive -- thermal mapping, sensor positions, joint ranges, surface geometry. No two robots share a pattern.
Structural Armature
Carbon fibre systems concealed inside shoulders and collars create structural lines on bodies with no skeletal landmarks. Each armature weighs 180 grams per side.
Sensor-Transparent Textiles
Developed with a Japanese aerospace facility. Infrared and LIDAR pass through the fabric without signal loss. A dressed robot perceives its environment through its clothing.
Magnetic Closures
Hidden inside what appear to be traditional knots and ties. Because robot hands cannot work buttons, every fastening is engineered to look hand-tied while engaging magnetically.
Weighted Hems
Adapted from theatre curtain engineering. The weighted tape holds couture silhouettes steady on bodies that never shift their weight.
Hand Construction
500 to 1,000 hours per garment. Hand-felled seams, hand-bound edges, hand-finished interiors. Built by couturiers in Paris with fabrics sourced from France, Italy, and Japan.
I
Nocturne
A floor-length evening coat in quadruple-weight Japanese wool crepe, lined with silk habotai. Engineered for full articulation at 40+ degrees of freedom. The garment a machine wears when it enters a room and the room goes quiet.
Full-length white quilted coat. 800 hours of hand work. Hood shaped to robotic head geometry, studded with 3,000+ hand-set Swarovski crystals along the crown and brow line.
Ceremonial open robe, hand-painted by a single artisan over 400 hours. Pigment on raw silk organza, sealed in UV-resistant matte fixative. One of one. The kind of garment that belongs in a vault or on a stage.
Three-piece suit woven with real gold-wrapped silk thread. Technical wool base with concealed magnetic closures at every seam. 800 hours of hand-finishing. The suit that justified the name of this collection.
Minimal display harness in blackened titanium hardware and hand-stitched bridle leather. Not a garment in the traditional sense. A structure that frames the machine's body like a reliquary frames a sacred object.